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(This is a test effort. The text is copyrighted, I took it from Biography.com. This
will not be the final version of the text I use.)
Playwright and poet. Born in 1564, in Stratford-upon-Avon,
Warwickshire, England (historians believe Shakespeare was born on April 23, the same
day he died in 1616). The son of John Shakespeare, a glover, and Mary Arden, of farming
stock. Much uncertainty surrounds Shakespeare's early life. He was the eldest of three
sons, and there were four daughters. He was educated at the local grammar school, and
married Anne Hathaway, from a local farming family, in 1582. She bore him a daughter,
Susanna, in 1583, and twins, Hamnet and Judith, in 1585.
Shakespeare moved to London, possibly in 1591, and became an actor. From 1592 to 1594,
when the theatres were closed for the plague, he wrote his poems "Venus and Adonis"
and "The Rape of Lucrece." His sonnets, known by 1598, though not published until
1609, fall into two groups: 1 to 126 are addressed to a fair young man, and 127 to 154
to a "dark lady' who holds both the young man and the poet in thrall. Who these people
are has provided an exercise in detection for numerous critics. The first evidence of
his association with the stage is in 1594, when he was acting with the Lord
Chamberlain's company of players, later "the King's Men'. When the company built the
Globe Theatre south of the Thames in 1597, he became a partner, living modestly at a
house in Silver Street until c.1606, then moving near the Globe. He returned to
Stratford c.1610, living as a country gentleman at his house, New Place. His will was
made in March 1616, a few months before he died, and he was buried at Stratford.
The modern era of Shakespeare scholarship has been marked by an enormous amount of
investigation into the authorship, text, and chronology of the plays, including
detailed studies of the age in which he lived, and of the Elizabethan stage. Authorship
is still a controversial subject for certain plays, such as Titus Andronicus, Two Noble
Kinsmen, and Henry VI, part I. This has involved detailed studies of the various
editions of the plays, in particular the different quarto editions, and the first
collected works, The First Folio of 1623. It is conventional to group the plays into
early, middle, and late periods, and to distinguish comedies, tragedies, and histories,
recognizing other groups that do not fall neatly into these categories.
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*My soul consents not to
give sovereignty.
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-Hermia, a character in William Shakespeare's
A Midsummer Night's Dream, 1596
Act I, scene i
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~Love looks not with the
eyes but with the mind;
And therefore is wing'd Cupid painted blind.
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-Helena, a character in William Shakespeare's
A Midsummer Night's Dream, 1596
Act I, scene i
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*The will of man is by
his reason sway'd . . .
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-Lysander, a character in William Shakespeare's
A Midsummer Night's Dream, 1596
Act II, scene iii
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~The devil can cite
Scripture for his purpose.
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-Antonio, a character in William Shakespeare's
The Merchant of Venice, 1597
Act I, scene iii
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~. . . . argument for a week,
laughter for a month,
And a good jest for ever.
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-Henry, Prince of Wales, a character in
William Shakespeare's
The First Part of King Henry the
Fourth, 1598
Act II, scene ii
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~Is it not strange that
desire should so many years outlive performance?
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-Edward Poins, a character in William
Shakespeare's
Second Part of King Henry IV, 1598
Act II, scene iv
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~[M]odest doubt is call'd
the beacon of the wise.
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-Hector, a character in William Shakespeare's
The History of Troilus and Cressida,
1602
Act 2, scene ii
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*[T]o persist in doing
wrong extenuates not wrong,
But makes it much more heavy.
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-Hector, a character in William Shakespeare's
History of Troilus and Cressida, 1602
Act II, scene ii
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~The good I stand on is my
truth and honesty.
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-The character Cranmer in William Shakespeare's
King Henry The Eighth, 1611
Act V, sc. i
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~[W]hat's past is prologue.
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-Antonio, a character in William Shakespeare's
The Tempest, 1612
Act 2, scene i
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~This above all; --to thine
own self be true . . .
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-Polonius, a character in William Shakespeare's
Hamlet
Act I, scene iii
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Is it not strange that sheep's guts should
hale souls out of men's bodies?
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-William Shakespeare
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Sweets grown common lose their dear delight.
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-William Shakespeare
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